一个乌克兰折纸鹿雕塑, 象征着战争的流离失所, 正在欧洲比威尼斯比恩纳雷(Venice Biennale)更远的地方巡游, 引发对俄罗斯艺术家包容的争议。 A Ukrainian origami deer sculpture, symbolizing war displacement, is touring Europe ahead of the Venice Biennale, sparking controversy over Russian artists' inclusion.

2019年Zhanna Kadyrova和Denys Ruban创作的乌克兰“Origami Deer”雕塑在2024年被俄罗斯军队占领之前从Pokrovsk获救。 A Ukrainian "Origami Deer" sculpture, created in 2019 by Zhanna Kadyrova and Denys Ruban, was rescued from Pokrovsk before its 2024 occupation by Russian forces. 它的形状像纸质折纸鹿,象征着流离失所的乌克兰人和1994年《布达佩斯备忘录》未兑现的安全承诺。 Shaped like a paper origami deer, it symbolizes displaced Ukrainians and the broken security promises of the 1994 Budapest Memorandum. 该雕塑正在六个欧洲城市——华沙、维也纳、布拉格、柏林、布鲁塞尔和巴黎——巡视,然后于5月9日至11月22日在第61届威尼斯比恩纳勒期间在乌克兰展厅展出,题为“安全保障”。 The sculpture is now touring six European cities—Warsaw, Vienna, Prague, Berlin, Brussels, and Paris—before being displayed at the Ukrainian pavilion, "Security Guarantees," during the 61st Venice Biennale from May 9 to November 22. 此事引起国际批评, 包括自2022年以来被禁止的俄罗斯艺术家, 促使欧盟威胁削减经费。 The event has drawn international criticism for including Russian artists, banned since 2022, prompting the EU to threaten funding cuts. 历史学家Leonid Marushchak领导了鹿和其他文化文物的撤离,包括一名700岁的狮子从Bakhmut撤离,他说,这篇作品反映了战争和流离失所的创伤。 Historian Leonid Marushchak, who led the evacuation of the deer and other cultural artifacts, including a 700-year-old lion from Bakhmut, said the piece reflects the trauma of war and displacement. Kadyrova表示她的团队不会抗议, 她希望全球压力将影响Biennale的决定。 While Kadyrova said her team won’t protest, she hopes global pressure will influence the Biennale’s decisions.