以Wagner 1861年的笔记为基础,新建的木质角在2026年Met的“Tristan und Isolde ” 首映,取代了过去的替代品。 A newly built wooden horn, based on Wagner’s 1861 notes, debuts in the Met’s 2026 “Tristan und Isolde,” replacing past substitutes.

一台新制作的木制holztrompete，基于理查德·瓦格纳1861年对一种强大天然木制乐器的模糊描述，首次亮相大都会歌剧院2026年的《特里斯坦与伊索尔德》制作。这支近4英尺长的圆号由德国不来梅制造，取代了拜罗伊特和大都会歌剧院使用的早期替代圆号，如tárogató和Heckel-clarina。 A newly crafted wooden holztrompete, based on Richard Wagner’s vague 1861 description of a powerful, natural wood instrument, has made its debut in the Metropolitan Opera’s 2026 production of “Tristan und Isolde.” The nearly 4-foot horn, built in Bremen, Germany, replaces earlier substitutes like the tárogató and Heckel-clarina used at Bayreuth and the Met. 由舞台左侧的首席小号手比利·R·亨特二世演奏，这件无活瓣乐器发出令人难忘、共鸣的声音，预示着关键的戏剧性时刻。 Played by principal trumpet Billy R. Hunter Jr. from stage left, the valveless instrument produces a haunting, resonant sound that signals key dramatic moments. 它的回归反映了目前为通过历史重建来尊重Wagner原创的管弦乐队愿景而作的努力。 Its return reflects ongoing efforts to honor Wagner’s original orchestral vision through historical reconstruction.