一位巴西导演在柏林拍摄的影片描述了一个富裕的西班牙家庭在母亲去世后遭受的创伤和衰败。 A Brazilian director’s Berlin-premiering film depicts a wealthy Spanish family’s trauma and decay after their mother’s death.

巴西导演阿里姆·艾诺兹(Karim Ainouz)在柏林电影节首演的电影《罗塞布什·普林宁 》 ( Rosebush Prinning ) , 描绘了西班牙一个功能失调的富裕家庭,这个家庭正在与创伤、父权制和继承的特权作斗争。 Brazilian director Karim Ainouz’s film “Rosebush Pruning,” premiering at the Berlin Film Festival, portrays a dysfunctional, wealthy family in Spain grappling with trauma, patriarchy, and inherited privilege. 故事讲述了四个兄弟姐妹和他们的盲人父亲在母亲去世后,通过一种被称为"戏剧性荒谬"的风格来探索情感分离和社会衰落. 这部电影受到马可·贝洛奇奥1965年的作品的启发,批评了极端财富及其培养专制倾向的潜力. The story follows four siblings and their blind father after their mother’s death, exploring emotional detachment and societal decay through a style described as “operatic absurdity.” The film, inspired by Marco Bellocchio’s 1965 work, critiques extreme wealth and its potential to foster authoritarian tendencies. 以电影节电影著称的艾诺兹(Ainouz)表示希望导演一部詹姆斯邦德(James Bond)电影。 Ainouz, known for festival films, expressed a desire to direct a James Bond movie.