2024年的Sydney Biennale强调关于身份、土地和复原力的土著艺术,其特色是具有里程碑意义的作品,如Ngurrara Canvas II公开首映。 The 2024 Sydney Biennale highlights Indigenous art on identity, land, and resilience, featuring landmark works like the public debut of the Ngurrara Canvas II.

2024年Sydney Biennale展示的土著艺术以身份、土地和复原力为中心。 The 2024 Sydney Biennale showcases Indigenous art centered on identity, land, and resilience. 关键作品包括Lakota艺术家Luger为反映文化生存情况而使用粘土头骨短笛安装音响设备,Behrouz Bouchani、Hoda Afshar和Vernon Ah Kee制作的关于被拘留的土著青年的视频项目,以及Parramatta使用改装汽车立体声的公开音响表演。 Key works include a sound installation by Lakota artist Luger using clay dingo skull flutes to reflect cultural survival, a video project by Behrouz Boochani, Hoda Afshar, and Vernon Ah Kee on Indigenous youth in detention, and a public sonic performance in Parramatta using modified car stereos. 1997年大桑迪沙漠土地权利地图(Ngurrara Canvas II)首次在新南威尔士美术馆公开展示, The massive Ngurrara Canvas II, a 1997 land rights map from the Great Sandy Desert, is displayed publicly for the first time at the Art Gallery of NSW, with artists singing its story. 在墨尔本,Ema Shin展示了一颗三维心结的心,向家庭血统中被忽视的妇女致敬。 In Melbourne, Ema Shin presents a 3D woven heart honoring overlooked women in her family lineage. 展览强调文化记忆和与国家的联系。 The exhibition emphasizes cultural memory and connection to Country.