悉尼节有两个值得注意的表演:印度尼西亚个人关于创伤和灾难的双重法案,以及加拿大的交互式节目,其中混合了叛乱、游戏和数字技术。 The Sydney Festival featured two notable performances: a personal Indonesian double bill on trauma and disaster, and a Canadian interactive show blending rebellion, games, and digital tech.

悉尼音乐节展示了两场杰出的表演:SISA-SISA,由印尼艺术家Murtala和Alfira OSullivan创作的双重作品,以亲密的独奏演出,讲述老龄化,创伤和灾难救援,以及ASSES.MASSES,由加拿大创作者创作的参与式戏剧体验,让观众沉浸在一种超现实,游戏式的叛乱叙事中,融合现场表演,数字元素和集体决策. The Sydney Festival showcased two standout performances: SISA-SISA, a double bill by Indonesian artists Murtala and Alfira O’Sullivan, featuring intimate solos on aging, trauma, and disaster relief, and ASSES.MASSES, a participatory theatrical experience by Canadian creators that immersed audiences in a surreal, game-like narrative of rebellion, blending live performance, digital elements, and collective decision-making.