由艺术家Chimere领导的几内亚涂鸦正在将城市空间转变为文化、历史和社会问题的平台,并获得了官方和公众的支持。 Graffiti in Guinea, led by artist Chimere, is transforming urban spaces into platforms for culture, history, and social issues, gaining official and public support.

在西非,尤其是几内亚,涂鸦正在得到广泛接受。 在那里,塞内加尔艺术家Omar Diaw,又名“Chimere ” ( Chimere)用大规模壁画改变了科纳克里的城市景观。 Graffiti is gaining widespread acceptance in West Africa, particularly in Guinea, where Senegalese artist Omar Diaw, known as “Chimere,” has transformed Conakry’s urban landscape with large-scale murals. 该艺术曾经被视为破坏他人财产,现在已成为公众认识、文化庆祝和政治表达的受人尊重的媒介。 Once seen as vandalism, the art now serves as a respected medium for public awareness, cultural celebration, and political expression. 在塞内加尔首创的涂鸦艺术家Amadou Lamine Ngom的启发下, Diaw利用他的工作来突出几内亚的历史、音乐家、独立领袖以及移民和公共卫生等社会问题。 Diaw, inspired by Senegal’s pioneering graffiti artist Amadou Lamine Ngom, uses his work to highlight Guinean history, musicians, independence leaders, and social issues like migration and public health. 在地方当局和居民的支持下,该运动反映了非洲的现实和价值观,并日益努力将妇女纳入现场。 Supported by local authorities and residents, the movement reflects African realities and values, with growing efforts to include women in the scene.