1900年代初期恢复了影子木偶, 将旧技术与现代科技混为一谈, 以庆祝美中文化联系。 A New York festival featured restored early 1900s shadow puppets, blending old techniques with modern tech to celebrate U.S.-China cultural ties.

星期天,纽约中国研究所主办了一场秋天节中节庆祝活动,其特色是影子的幕后表演,强调中国和美国之间的持久文化联系。 On Sunday, New York’s China Institute hosted a Mid-Autumn Festival celebration featuring a shadow-puppet performance that underscored the lasting cultural ties between China and the U.S. 19世纪初由美国艺术家Pauline Benton创造的、1980年代重新发现并由Kuang-Yu Fong和Stephen Kaplin保存了30多年的木偶。 The show highlighted puppets originally created by American artist Pauline Benton in the early 1900s, rediscovered in the 1980s and preserved for over 30 years by Kuang-Yu Fong and Stephen Kaplin. 利用现代数字投影机和印刷的光影,将传统的汉王朝时代技术与现代数字投影机相结合,这一表演尊重了教科文组织承认的无形遗产,同时与新一代人接触,包括没有艺术背景的年轻表演者。 Blending traditional Han Dynasty-era techniques with modern digital projectors and printed silhouettes, the performance honored UNESCO-recognized intangible heritage while engaging new generations, including young performers with no prior background in the art.